The format here is a little bit strange, but it adheres to the way
Hotteterre laid out the fingering chart in his book; sharp notes in the
ascending semitone scale, and flats in the descending semitone scale. Note
that some fingerings for the same natural notes are slightly different in the two
scales.
D | D# | E | F | F# | G | G# | A | A# | B | C | C# |
1 2 3 4 5 6 - |
1 2 3 4 5 6 7 |
1 2 3 4 5 - - |
1 2 3 4 - 6 - |
1 2 3 4 - - 7 |
1 2 3 - - - - |
1 2 - 4 5 6 - |
1 2 - - - - - |
1 - 3 4 5 - - |
1 - - - - - - |
- 2 3 - - - - |
- - - - - - - |
D | D# | E | F | F# | G | G# | A | A# | B | C | C# |
- 2 3 4 5 6 - |
1 2 3 4 5 6 7 |
1 2 3 4 5 - - |
1 2 3 4 - 6 - |
1 2 3 4 - - 7 |
1 2 3 - - - - |
1 2 - 4 - - - |
1 2 - - - - - |
1 - 3 - - - - |
1 - - - - - - |
- 2 - 4 5 - - |
- - - 4 5 6 7 |
D | D# | E | F# | G |
- 2 3 4 5 6 - |
1 2 3 - 5 6 7 |
1 2 - - 5 6 7 |
1 - 3 4 5 6 - |
1 - 3 - - - - |
F# | E | Eb | D | Db |
1 - 3 4 5 6 - |
1 2 - - 5 6 7 |
1 2 3 - 5 6 7 |
- 2 3 4 - 6 - |
- 2 3 4 - 6 7 |
C | B | Bb | A | Ab | G | Gb | F | E | Eb | D | Db |
- 2 - 4 5 6 7 |
1 - - - - - - |
1 - 3 - - - - |
1 2 - - - - - |
1 2 - 4 - - - |
1 2 3 - - - - |
1 2 3 - 5 6 7 |
1 2 3 4 - 6 - |
1 2 3 4 5 - - |
1 2 3 4 5 6 7 |
- 2 3 4 5 6 - |
- - - - - - - |
C | B | Bb | A | Ab | G | Gb | F | E | Eb | D |
- 2 3 - - - - |
1 - - - - - - |
1 - 3 4 5 - - |
1 2 - - - - - |
1 2 - 4 5 6 - |
1 2 3 - - - - |
1 2 3 - 5 6 - |
1 2 3 4 - 6 - |
1 2 3 4 5 - - |
1 2 3 4 5 6 7 |
1 2 3 4 5 6 - |